Flannery O'Connor uses many themes that traverse the
grounds of her many stories, whether it be racism, deformity, or displacement.
But one of the largest themes that is present throughout many of her works is
the theme of eyes. Particularly when the reader is given details about the eyes
of a character, or when characters gaze into the eyes of other characters. The
eyes are powerful, and sometimes the eyes are referred to as windows to the
soul. Does this hold true in O'Connor's literature though?
In Revelation, Mrs. Turpin is held prisoner
in the eyes of an ugly girl named Mary Grace. That name itself is full of
O'Connor irony, because grace is nowhere to be found in her at all. Her eyes
look "peculiar" to Mrs. Turpin though. "Her eyes were fixed like
two drills on Mrs. Turpin. This time there was no mistaking that there was
something urgent behind them" (O'Connor, 642). O'Connor makes these eyes
seem like weapons that a predator would use to hold prey captive. And while
humans can communicate through using their eyes, Mary Grace is using them as
weapons. Earlier, the girl's eyes "seemed lit all of a sudden with a
peculiar light, an unnatural light like night road signs give" (637). Mary Grace has eyes that have something
unnatural about them, something that is bent and contorted. What type of people
possess eyes that look unnatural? This girl possesses eyes that have a darkness
stuck inside of them, because her eyes change after she attacks Mrs. Turpin and
is given an injection. "They seemed a much lighter blue than before, as if
a door that had been tightly closed behind them was now open to admit light and
air" (645). Her eyes had doors in them before that were closed. Is this
the work of a demon, or is it madness? The text leads the reader to believe
that she is clinically insane, but either way, her eyes are the keys to gazing
upon her soul, as Mrs. Turpin learns the hard way.
Eyes
are also very important in Parker's Back.
Parker is described as "the hollow-eyed creature" (666), which
implies there is nothing behind his eyes, or a lack of substance there. The
eyes of the Byzantine Christ pierce Parker's soul as he gazes upon the tattoo
design. "Parker returned to the picture--the haloed head of a flat stern
Byzantine Christ with all-demanding eyes" (667). This Christ is intense and
soul-piercing; Parker has futile hopes that this will please his wife. This
tattoo forever connects him with God though and disgusts his wife. In the
opening paragraph her eyes are described as, "grey and sharp like the
points of two ice picks'' (655). There is no kindness to be found in her eyes,
only meanness. The artist saves the eyes of the tattoo for last, because they
are the most important part for this particular tattoo; when he finishes the
tattoo Parker is hesitant to look at it, but he does. "The eyes in the
reflected face continued to look at him--still, straight, all-demanding,
enclosed in silence" (670). The eyes consume Parker and in the end he is
by himself crying on a tree. Eyes are a powerful tool in O'Connor's stories,
and they play an important part in how the reader and characters view the other
characters. One of the reasons that the peacock was O'Connor's favorite animal
may have been because there are so many eyes on its tail. She also uses the sun
as a fiery eye in many of her stories.
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